Barbro Heikinmatti (hillevi3 on Ravelry) belongs to the small Swedish-speaking minority in Finland. She attended my tapestry crochet workshop in Vasa / Vaasa, Finland, in 2005. Like most of the others, she was already an accomplished tapestry crocheter, but did manage to learn a few new things.
Iiro’s been eating from his bead tapestry crochet basket since 2005!
Barbro explains, “I think I did my first tapestry crochet when I crocheted/knitted a Korsnäs sweater in the early 80’s. Since then I have crocheted a few (giggle) purses and bags (more giggle). Yes, I love tapestry crochet, and thanks to Carol I learned how to add beads. I mostly crochet by simply casting on and see what will happen. That means I keep unraveling a lot.”
The sweater below was “Knitted / crocheted at Marketta Luutonen’s first workshop in Vasa in the 80’s. This traditional sweater was made for men in the 19th century, in the 20th and 21st also for women. Nowadays they are often changed into cardigans. Note that the tapestry crochet is worked in the back loop.”
Knitted and tapestry crocheted (into the back loop) wih Novita Marimba wool in 1984.
Detail of the sweater’s crochet and knitting.
“This bag (below) is perfect when I walk around the house doing things. I hang the purse around my neck.”
Tapestry crocheted with Sandnes Garn Mandarin Petit cotton in August 2007.
The bag (below) was “Improvised from Carol Ventura’s patterns in her book, More Tapestry Crochet. I can’t resist crocheted shopping bags and purses. This will be big enough to keep a few books and all the necessary things i.e. lipstick, pen, keys, wallet… Bird from Vibeke Lind’s “Sticka efter gamla nordiska mönster.”
Tapestry crocheted with Novita Kotiväki cotton in July 2008.
Barbro’s Bird Bag crocheted in April-May 2009.
“I do have to make a purse for my favorite spindle, don’t I??”
Tapestry crocheted in April 2009.
Tapestry crocheted cotton and linen Horse Around Purse, May 2009.
Barbro tapestry crocheting a cover for her spindle.
“My spindle, Precious (born at Journey Wheel), needed a cozy little home. I stole some elements from the Korsnäs sweater and crocheted them into both loops (traditionally worked into the back loop). I can’t resist the S-slinga (S-arabesque, festoon, creeper or whatever you prefer), so I use it quite often. The dancing girls are also fun to crochet. Bead crochet is a joy. I learned the technique at Carol Ventura’s workshop. I finally found a nice way to use a few meters of my handspun variegated merino-silkyarn, leftover from mother-in-law’s shawl.”
Not one day without a thread / Sine filo, nulla dies unum spindle holder crocheted in November 2009.
How did she do it? “Well, first you have to count your stitches. I had about 88 in the round, and the letters were planned to be 6-7 rounds high. I started to sketch in Excel, using colors close to my yarns. Carol Ventura has a great graph paper in her book More Tapestry Crochet, but I didn’t have it with me that day. I soon saw I had to crochet the text in two lines. I spread out the text to look balanced and started to crochet. It was GREAT fun!”
“I bead crocheted the rim, sew an inner lining, started thinking about how to close the purse. A casing was easiest to make. And Precious could go to bed in it’s new home!”
What will she be doing next? “Thanks to audio books that are now available everywhere, I will most certainly crochet more. I can’t tapestry crochet and read books simultaneously, which is what I do with knitting, lace crochet, and this autumn also spinning. My handspun merino-silk yarns are perfect for many projects: small purses, fingerless gloves etc. Maybe I’ll also start sketching own patterns, but that’s uncertain because of all the wonderful ethnic designs from all over the world that can be used.”