Archive for the ‘Tapestry Crochet, America’ Category

Tapestry Crochet Therapy

Saturday, January 20th, 2018

Tapestry crochet has been there for me when I needed it. This video shares some of the ways it helped me work through a difficult part of my life.

ME Tote

Monday, November 28th, 2016

I grew up seeing people knit and crochet in public; today it’s a rare site. I’m one of the few who continues this tradition. I love crocheting where people can see what I’m doing and it’s certainly a great conversation starter!

Experience has taught me that geometric patterns tapestry crocheted with light, contrasting colors work best for crocheting in distracting places with low light – the usual scenario. I did the first rounds of the bag pictured below at home because they were a bit more complicated – but crocheted the rest of the tote while attending a number of very interesting talks at a honey bee conference and a textile symposium. I was the only crocheter at both events, but did see a few knitters there.

ME Tote

ME Tote tapestry crocheted with Omega Nylon, 2016.

I first crocheted this geometric motif in 2013, but didn’t see the letters back then. But after crocheting a few sections this time, I noticed the conjoined letters, M and E. I like to think it was a subliminal message from my inner self; I didn’t need the affirmation in 2013, but it’s very appropriate now.


First version of the ME motif, crocheted with cotton in 2013.

I usually create both right and left-handed versions of my patterns at Patternfish, but since “ME” only manifests when crocheting right handed, I decided not to create left-handed instructions because the word would appear backwards – not good.

The new ME Tote pattern is based on the larger Leftover Bag seen next to me below. I also crocheted the Leftover Bag in public, but some of the colors were too difficult to see in the low PowerPoint lit venues where I crocheted it; lesson learned.


Beginning the handles during the 2016 Textile Society of America Symposium.

This tote was a joy to crochet. I hope you’ll give it a try – even if you find yourself crocheting in a well-lit, calm location.

Christmas Stocking Pattern

Monday, December 7th, 2015

Are you looking for a Christmas stocking pattern? The right-handed instructions for this stocking are now available on Patternfish. Both were crocheted with the same yarn and instructions, but the smaller one was felted in a washing machine.

Before and after feltingWorsted wool stockings before and after felting.

The alphabet chart included with the pattern helps personalize the stockings. Happy Holidays!

A Difficult Lesson

Sunday, November 22nd, 2015

My husband stuck his head in the door last May to say, “Ten more minutes.” The sun was starting to go down, but he was almost done mowing the lawn. When he didn’t come in, I went looking for him. I couldn’t believe what I found. He had died while resting on the porch, looking out on the yard that he loved taking care of. What a shock! We never suspected he had a heart problem. I crocheted the tapestry below in his honor.

Tapestry crochet with lnen, 2015.

I’m very thankful for the 17 years we had together. We accomplished so much! My life will never be the same.

Floating Squares

Tuesday, February 17th, 2015

A square base, floating motifs, and pull-strap joined forces to create the unique tapestry crocheted tote seen below. The heavy fabric was produced with tight stitches tapestry crocheted with Classic Elite Provence mercerized Egyptian cotton.

Faculty Exhibit

My Floating Squares Tote on exhibit in the 2014 Tennessee Technological University Art Faculty Exhibit.

The instructions for this Floating Squares Tote are in the April 2015 issue of QUICK & EASY CROCHET ACCESSORIES, published by Crochet! Magazine. The versatile shoulder strap that keeps the bag closed is easily converted into a pair of short handles (as seen below).

Floating Squares, QUICK & EASY CROCHET ACCESSORIES, Crochet! Magazine, April 2015: 48, 49, and 107.


The magazine includes instructions for more than forty stylish accessories. I think you’ll be inspired by this special issue – so please take a look!

Bee-U-tiful Bag

Monday, January 26th, 2015

These bags were inspired by my hard working girls, who have been entertaining and teaching me since 2011. As you’ve probably heard, honey bees face a number of challenges today, including parasites, hive beetles, and diseases that were unknown in the US just a few decades ago. Pesticides and herbicides that are not supposed to bother them have weakened and killed many beneficial insects, making it difficult for them to overcome new challenges. Fortunately, my bees are quite resilient, having survived many of my well-intentioned, but stressful interventions. You see, no one agrees about how to keep or help honey bees and a procedure that works with one hive might hurt another.

bee frame

Honey bee frame showing dark nectar, yellow capped brood, and nurse bees feeding larvae.

My first design challenge was choosing the colors. All three bags in this posting were tapestry crocheted with two carried colors, which produced very sturdy fabrics. Black and yellow were the obvious choices for the bees, but what about the background?

Next, I had to figure out how to draw a honey bee motif on rounds tapestry crochet graph paper. I looked at lots of my own photos and online for inspiration, then asked friends and family which graphs they preferred. The top two choices are featured on my first attempt below.

Card Holder

First bee bag, tapestry crocheted with (discontinued) Senso cotton thread, 2012.

The bees look a little better on the next version (below), but I decided that the experimental handle on the oval-based bag was too long to hold, but awkward as a shoulder strap.


Second bag with an oval base and a split handle, (discontinued) Senso cotton, 2013.

The bees were tweaked again on the final bag (below), crocheted with Tahki Cotton Classic. Separate patterns for this bag with photos, tutorials, and graphs are now available on Patternfish for right-handed crocheters and left-handed crocheters.


Bee-U-tiful Bag, Tahki Cotton Classic, 2014.

I crocheted these bee themed bags while attending three different beekeeping conferences and look forward to showing off my Bee-U-tiful bag at the next one! I love that you can tapestry crochet just about anywhere, allowing me to combine two of my passions!


Leftover Bag

Tuesday, December 30th, 2014

What to do with yarn left over from other projects? How about using them to crochet this useful bag? The carried colors and tight stitches combine to form a sturdy fabric that does not need to be lined. Many types of threads or yarns could be used to make this bag. Although any number of contrasting colors would work, only four were used in this example; Coffee and Grape from the Geometry Tote and Bronze and Bone from the Handy Basket. Do you see where the Coffee ran out, just seven stitches before finishing the rim on the inside of the back handle? Such is life.

Leftover Bag

Leftover Bag, 12 1/2″ high (without the straps), Omega Espiga #18 nylon, 2014.

The flat oval spiral base is crocheted first, then when the diameter of the base is no longer increased, the edges of the spiral move upwards to form the walls. The motif is eight stitches wide, so the total number of stitches in the base is a multiple of eight. It is possible to make a variety of sizes with the same design motif simply by increasing or decreasing the size of the base.

This large, sturdy bag can be made from leftovers and hold them, too! It’s my newest pattern, with photos, tutorials, and graphs individually prepared for right-handed crocheters and left-handed crocheters.

Bag of Skulls

Thursday, November 20th, 2014

If you’ve been following my blog for a while, you know how I feel about skulls. If not, my UnFinishedObject Bag posting will fill you in. The cylindrical UFO bag has some things in common with this one; they’re both tapestry crocheted with nylon, have skulls, and boney handles, but the Bag of Skulls has an oval base and more skulls.

Airlines allow purses of any size (within reason), so I made this one small enough to fit under an airline seat, but large enough to hold A LOT of stuff! And – the skulls are apotropaic (they scare away evil).

Bag of Skulls

Bag of Skulls, nylon, 14 1/4″ x 16″ with a 4″ wide base.

You, too, can tapestry crochet your own Bag of Skulls! Instructions for right handed crocheters and left handed crocheters are now for sale on Patternfish, a fabulous online pattern store. I hope you’ll give it a try!

Spiral Coasters

Saturday, October 25th, 2014

My reversible Spiral Coasters pattern is one of more than 30 projects in Interweave’s 2015 Crochet Home! This fabulous special issue includes a variety of crochet techniques, including tapestry crochet, tunisian, fillet, and Bruges lace.


Front and back of Spiral Coasters, 4″ diameter, Nazli Gelin Garden size 3 cotton.

I hope you’ll take a look and give these coasters a try!

Felted Trail Ridge Tote

Monday, September 8th, 2014

The Fall 2014 issue of Interweave Crochet includes my felted Trail Ridge Tote, crocheted with Knit Picks Wool of the Andes (50g/110yds) in Dove Heather, Firecracker Heather, and Mist.

Trail Ridge Tote in Interweave Crochet, Fall 2014.

Trail Ridge Tote in Interweave Crochet, Fall 2014 (photo by Interweave Crochet 2014).

For those who like to crochet loosely – this project is for you – since it is tapestry crocheted with a large hook and loose stitches.

Detail of the handle before it was felted.

Detail of the handle before it was felted.

The beauty of felted tapestry crochet is that the pattern is visible on the both the inside and the outside of the project. The two carried colors really bulk up the felted fabric, so no lining is needed. The tote shrinks and felts like magic in a washing machine. It is important to make the stitches loose, though, or it will not felt correctly. The flattened size of the tote before felting was 18” wide x 16” high (without the handles). The flattened size after felting the first time was 15” wide x 16” high, then after felting it again (to shrink it a little more), it was 13” wide x 14 1/2” high flattened and 12” wide x 13” high upright as seen below.

Felted Trail Ridge Tote, 12" wide x 13"high (without the handle).

Felted Trail Ridge Tote, 12″ wide x 13″ high (without the handles).

For more felted tapestry crochet projects, please take a look at my Bead & Felted Tapestry Crochet book.

Candy Cane Stocking Pattern

Tuesday, September 2nd, 2014

I entered the world of tapestry crochet 34 years ago with the green and red stocking below. The Dad Candy Cane Stocking shows how much my crocheting has improved since then. I wasn’t happy with the toe of the first two stockings and I didn’t like how the stripes got closer together around the heel on Betty’s stocking, so I gave it another try. I’m very happy with the new and improved Candy Cane Stocking because it has a better toe and the same amount of stitches between each stripe.

Christmas Stockings

My first TC project, Betty Stocking, and Candy Cane Stocking for Dad.

The heel was the most difficult part for me to design and crochet. While most of the stocking is worked in rounds, the heel is worked back and forth in rows. My free video shows two ways to do what I call, “flat tapestry crochet”. This technique eliminates the ridges formed from working back and forth and always places the front of the stitches on the face of the fabric.

The heel of the Candy Cane Stocking was done with the flat tapestry crochet technique.

The heel of the Candy Cane Stocking done with the flat tapestry crochet technique.

The pattern and graphs for the Candy Cane Stocking (for both right handed and left handed crocheters) are in Edie Eckman‘s new Christmas Crochet for Hearth, Home, and Tree book. Alphabets for right and left handed crocheters are also included so that you can personalize your own stocking. I hope you’ll take a look at this wonderful book and give one or more of the 18 projects a try!

Bead Felted

Saturday, February 22nd, 2014

Have you seen Michele Maks’ wonderful new crochet pattern subscription site, Mainly Crochet? For more about this innovative business venture, take a look at Michele’s blog and Mainly Crochet’s Facebook page.

Mainly Crochet Tapestry Set‘s Felted Tapestry Set (photo by Don Patty).

I’m thrilled that my bead felted tote and matching cosmetic bag are now included in Mainly Crochet’s pattern inventory. The tote is fully reversible because of the seamless one piece construction and the fact that the motif is integrated into the fabric as it is tapestry crocheted. One side has beads and the other is plain, so it’s two totes in one!

Felted Tapestry Crochet Bag before

Tapestry crochet tote before felting, 13″ high by 18″ wide, worsted wool.

Large, loose stitches felt wonderfully in a washing machine. The carried yarn makes the fabric durable, so no lining is necessary.

Bead Felted Tapestry Crochet Bag

Bead side of the tapestry crochet tote before felting, 13″ high by 18″ high, worsted wool and size 5 triangular glass beads from Fire Mountain Gems.

Glass beads are heavy, so I only put them as accents in the squares and on the arms of the crosses, for a subtle sparkle.

Felted Tapestry Crochet Bag detail

Detail of the plain (on the left) and beaded sides of the tapestry crochet fabric before felting.

Felted Tapestry Crochet Bag

Finished felted tapestry crochet tote, 12 1/2″ high by 14 1/2″ wide, worsted wool.

Bead Felted Bag

Finished beaded felted tapestry crochet tote, 12 1/2″ high by 14 1/2″ high, worsted wool and glass beads.

As usual, I experimented and made a large swatch (below) before crocheting the above bag. As you can see in the before and after pictures, the tapestry crocheted fabric shrinks more horizontally than it does vertically. The loose stitches allow specks of black to show in the white and white dots the black – but large stitches are necessary for successful felting. No problem for me because I actually like the “tweedy” look.

Tapestry Crochet Swatch

Tapestry crochet swatch – before and after felting.

I had to experiment with the cosmetic bag, too. Each of the finished bags (below on the right) have a zipper closure.

Before After Tapestry Crochet Bags

Tapestry crochet cosmetic bags before and after felting. My first attempt is on top.

I hope you’ll give this Felted Tapestry Set a try. If you have never done felted tapestry crochet, you might consider making a Felted Amulet Bag, the free introductory felting project linked to my web page that includes online instructions and a video tutorial. Please also take a look at my Bead & Felted Tapestry Crochet book and web page for more inspiration.

Drawn In Bags

Monday, January 27th, 2014

If you haven’t seen Marina Gavrilov’s striking tapestry crochet, then you’re in for a treat! I first noticed her wonderful bags on the “recently shared projects” window of the Ravelry Tapestry Crochet group. Lots of great items pop up there, but almost every time I linked to something that caught my attention, it was by RuskaM (her Ravelry name).

Marina describes herself as “. . . a mathematician by education but I am also a great lover of fine arts and crafts. One of my true pleasures is making tapestry crochet bags. I love their woven-like texture but I love “weaving” a story into a pattern most. Like a story, you don’t know how it’s going to turn out in the end, how the colours will compliment each other to make a stunning result.”

When I asked Marina how she discovered it – she explained, “I learned tapestry crochet when I was about 12 years old from my grandmother who was a great crafter. I have to add that I came from a culture (Russia) with a strong tradition in handcrafts. Tapestry crochet is called jacquard in Eastern Europe. I didn’t realize at the time the full potential of this technique. It took me half a lifetime and crossing the ocean to come to my lighting moment. A few years ago I came across your blog that changed my life. The tapestry crochet world was suddenly filled with so much colour and happiness! I could spend hours just browsing wonderful works by other artists. A few years ago my hubby bought me two of your books for my birthday. I was the happiest women on earth! I knew the technique but the book opened up my mind and unleashed my imagination. There are still several things I need to learn from your book, e.g. flat tapestry crochet and crochet with beads.”


Marina, Hibiscus Drawstring Bag, 2.75 mm (C) hook, Red Heart Super Soft and Comfort Sport yarn, January 2012.

How does she find the time to crochet? She responded, “I have so little time between my day job as an IT manager, my family, and my community work that I try to spend every free minute doing what I love most – designing charted patterns and crocheting.”

“I love to crochet bags. Since tapestry crochet is my favourite technique making bags is the most natural choice. Besides I like making something very functional and not too bulky. I am a small accessories girl, afghans and coats are not my forté. Although I admire people having so much patience and diligence!”


Marina, Harmony Drawstring Bag, 3.00 mm hook, Patons Shetland Ragg K.W., acrylic, and Red Heart Super Soft yarn, February 2012.

She shared her love for the craft by saying that the colors and textures attracted her. “I always loved woven-like fabric and traditional folk art and crafts. They are so rich in vibrant colours and carry timeless stories of generations and civilizations that have past! I am inspired by traditional South American indigenous tribal (mochila) bags. In my art I try to bring together traditional and modern western art. So I take the shape and design of mochila bags and put, for example, art nouveau or art deco designs on them. In my view tapestry crochet opens up a lot of opportunities for new ideas and creativity. It allows you to self-express, weave your own story, to be unique and yet continue the traditional line of this craft.”

Describing the below bag, Marina explained that the “Red drops were worked using the intarsia method. One of my personal favourite bags!”

M Ruska, Purple Cats Eye Lucky Charm Drawstring Bag, May 2012.

Marina, Purple Cats Eye Lucky Charm Drawstring Bag, 3.00 mm hook, variegated gold metallic, Red Heart Super Saver and Bernat Softee Baby yarn, May 2012.

Where does she get her yarn? She replied, “I mostly use yarn I found in thrift stores. If a design calls for a specific colour I buy it at a local yarn store. I prefer a more rustic feel to yarn and often use twine or thin rope. However, most of the time I just do with what I have – be it wool, acrylic, nylon thread, cotton or any combination of those.”


Marina, Blossom Drawstring Bag, 3.00 mm hook, Patons North America Decor yarn, November 2012.

Describing the below bag, Marina said, “The pattern turned out better than expected! I had to adjust the chart for slanted stitches (the chart has been updated!). The chart was very easy to use and to memorize. Lots of fun!”


Marina, Floral Garland Drawstring Bag, 2.75 mm (C) hook, Yarns Brunswick KW Jewel Tones yarn, January 2013.

What hook sizes does Marina like to use? She says, “I crochet pretty tight with sizes 2.75 mm or 3 mm most of the time.”


Marina, Green Plumage Bag, Red Heart Comfort Sport yarn and gold metallic yarn, 2.75 mm (C) hook, February 2013.

How big are Marina’s projects? She says, “My bags usually measure 31 cm (12.5″) in diameter and 34 cm (14″) high. I try to design my charts in sizes that fit within 65-75 rows (optimal height of a bag). No need to re-calculate and re-design!”

About the bag below, Marina said, “This bag was quite challenging to make. However, it was definitely worth the effort!”


Marina, Dancing Raven Drawstring Bag, Red Heart Super Saver and Eaton’s Fisherman Knit Aran and acrylic yarn, 3.00 mm hook, March 2013.

I love that the bottoms of Marina’s drawstring bags are just as interesting as the sides!


Marina, Cats Eye Flower Lucky Charm Drawstring Bag, Bernat Softee Solid Chunky yarn, 3.25 mm (D) hook, April 2013.

Marina finds inspiration everywhere. She explains, “I listen to the voice of my soul and allow my heart to lead me on my next design adventure. All of my designs are adjusted to create tapestry crochet projects although they can be used for any counted craft: cross stitch, filet crochet, knitting, mosaic, beading, etc.”

“I’ve been making crafts my whole life. From knitting, crocheting, embroidery, macrame to mosaic and stained glass, – I’ve done it all! Lately I’ve been designing my own patterns that I hope you will find inspirational for your own projects!”

Marina’s graphs can be adapted for a variety of media. She explained that, “The graph (below) was designed in memory of my mother-in-law who lost the battle against breast cancer and to support those men and women who are still fighting the battle. It is a free download on Ravelry.”


Marina, Heart Ribbon Graph

Does she sell her bags? Not yet – she explained that, “I have been giving away my bags and other items to my friends and family. I also have lots of completed items piled up at home. I will probably try to sell some of them but have to think how to organize this whole business. I am more into designing and making than selling.”

Marina sells her graphs and tapestry crochet bag patterns on both Ravelry and Etsy (and her bags here, too). She describes the below bag as “A fashionable fun and trendy accessory or a truly unique gift! This pattern is easy to customize to fit any tablet or a lap-top. The final size is 9.5” x 11.5”. The strap’s length is 34”. Please keep in mind that yarn selection and hook size may alter the finished dimensions.”

“Personally, tapestry crochet helped me in the most difficult time of my life. It re-balanced my world-view and helped me prioritise my values. I now see the world in bright colours. It re-sparked my interest in local cultures and people. I would love to connect with other tapestry crochet enthusiasts in a physical world. I am open to communication (at and cooperation. I am also interested in cultural tours to explore this wonderful craft around the world!”

That sound great to me! I hope we cross paths someday soon.

An Extraordinary Man

Wednesday, January 15th, 2014

Let me introduce you to an articulate and talented artist who celebrates his heritage every day.  Many people know him as Diego Juárez Viveros, but he is Atlachinocolotl Paquiliztli on Facebook and in the dance community.  

He moved from Michoacán, México, to the United States when he was 4 years old. As you will see, he has accomplished quite a lot since then!


Atlachinocolotl Paquiliztli, 2005, and his tapestry crocheted Aztec Dancer, Red Heart acrylic yarn, 5′ x 2’6″, 2013.

He explains, “All of my life, I have stood out for being out of the ordinary for many reasons. I stood out in school for my excellence in academic achievement. Despite growing up in a family with low economic means, I have found ways to become successful. After graduating from high school with an outstanding academic record, I pursued a biochemistry degree at University of California, San Diego and graduated in 2008.  I then decided to pursue a career in pharmacy and I was accepted to University of California, San Francisco School of Pharmacy.  In September 2013, I completed the Doctor of Pharmacy degree program.” 

“I put a lot of passion in everything I do.  Aside from crochet, I am interested in astronomy, photography, technology, and learning languages. I speak Spanish and English very fluently. I am currently learning Nahuatl. Nahuatl is an agglutinative language, which means that words are constructed by combining word particles in order to form single ideas.  My name can be broken down as “atl” + “tlachinolli” + “colotl”, which mean “water”+ “burnt” + “scorpion”, respectively. My name means Burnt Water Scorpion.  “Paquiliztli” means happiness.”

Atlachinocolotl Paquiliztli’s unique tapestries are crocheted back and forth, but instead of showing the back of the stitches on every other row, the face of his fabric shows only the front of the stitches. There are a few ways to accomplish this, so I asked him how he did it. He explained, “When I crochet in the opposite direction, I crochet backwards just like it is described in your book. I hold the right side forward and the wrong side toward me. Then I use my right hand to crochet. You can see a little in the photograph of me crocheting that way (below).”


Atlachinocolotl crocheting across the back of his Aztec Dancer with Red Heart acrylic yarn, 2012.

“In 2010, I saw my mother crocheting a piece and I asked her to show me how to crochet. She showed me how to do single crochet and, instantly, I was hooked (hehe). I started experimenting with crocheting that day. I wanted to know more. So I bought some books to learn the basics of crochet. I made some rather simple projects at first. After much experimentation and exploration, a vision of what I wanted started to take hold: I wanted to recreate pictures with crochet. I set off on a quest to find out more information about switching colors but I could only find basic instructions. I started making basic pieces with two colors to experiment at first. I created charts using square graphs. The designs came out okay, but I wasn’t satisfied.”

“The piece below was my first attempt at creating a tapestry crochet piece (at that time, I didn’t know the term). The pattern was modeled on a square graph paper.  The piece was crocheted with double crochet stitches, using blue and white Omega Crys yarn.   While creating this project, I learned the basics of switching colors to create a pattern. 

white blue
Bag, Omega Crys acrylic and polyester yarn, 8″ x 8″, 2010.

“One day, I came across your videos on YouTube. That is how I realized that pictures could be reproduced using tapestry crochet. I began to experiment. My first major crochet piece (The Aztec Dancer) was modeled on a square graph. With this project I began to understand the intrinsic structure of single crochet and figuring out how to reduce bleeding of colors. I realized a square graph is not an adequate model for tapestry crochet but that the stitches are better Erica the Mexican Folkloric Dancer modeled by a hexagonal graph. I spent an entire day figuring out how to overlay a hexagonal graph over a picture in Photoshop. Once I figured that out, I had a working model.”

Atlachinocolotl Paquiliztli Dancer

Graph, front, and back of Erica the Mexican Folkloric Dancer.

“I then started crocheting. With this most current project, I refined my technique more and created ways to make lines crisper with single crochet.” He describes the Erica the Mexican Folkloric Dancer tapestry in a short YouTube video.

3' x 6' tapestry

Erica the Mexican Folkloric Dancer, Red Heart acrylic yarn, 3′ x 6′, 2013.

When I asked about his yarn and hook preferences, he said, “It depends on the type of project I will be making.  In general, I prefer bright colors so I pick yarn brands that provide those colors. For projects that require fine detail, I like to use Omega Crys, which is a fine yarn (size 10) made of 68% acrylic and 32% polyester. It is imported from Mexico and is available in a wide variety of bright colors.  For fine projects I use a 2.00 mm hook.  For bigger projects, such as the colorful blankets I have made, I use Red Heart yarn (size 4) with a Size E hook.”

For his newest piece, Atlachinocolotl Paquiliztli digitized his own scorpion drawing with a pen tool, then layered a hexagonal graph over it in Photoshop.


Atachinocolotl’s scorpion graph.


Colotl Scorpion in progress, Omega Crys acrylic and polyester yarn, 2013.

“This is my most recent piece.  I crocheted it with a 2.00mm hook and tapestry single crochet techniques.  This project is different from my previous projects for two reasons. This is the first time in which I have incorporated beads in a project. It is also the first time in which I joined another fabric in the back in order hide the yarn that I carry in the back.”

Atlachinocolot lPaquiliztliWithScorpion

Atlachinocolotl Paquiliztli and Colotl Scorpion, OmegaCrys acrylic and polyester yarn and glass beads, 7′ 3″ x 8 3/4″, 2013.

 “After seeing the huge online response to my work, I intend to teach about my technique.  After comparing my results with those of others, I realized that my techniques allow for crisper edges with single crochet.  I plan on writing an ebook in iBooks format. This book will include pictures, text and video explaining my technique.  It will have designs inspired by my Mexican background.  It will include the patterns for the Aztec Dancer and the Mexican Folkloric Dancer as well as some more of my ideas.  I am currently undergoing a huge life transition since I have just graduated from pharmacy school.  You should expect to see my book within 1-2 years.”

I don’t know about you, but I’m really looking forward to seeing Atalachinocolotl Paquiliztli’s future work – both his tapestry crochet and his publications!

Knot a Hat Thinking Cap

Friday, October 25th, 2013

You can find the pattern of my Thinking Cap in the 2014 issue of Crochet Accessories. I submitted photos of the red and white Knot a Hat (below) to Interweave. They sent me Pavlova and Kiwi colored Kenzie yarn to tapestry crochet the hat for them, then tweaked the name of the project.

Red Tapestry Crochet Hat

Proposed Knot a Hat

This playful hat was inspired by the blue baby beanie (below) that Maarit Aalto gave me in 2005 at the Crochet Days Conference in Finland. Instead of starting at the top, crocheting begins at the rim. The rounds spiral around towards the top, so the tail can be as long or short as you wish!

Tapestry crochet hats

Tapestry crocheted hats begun at the rim.

This year’s edition of the magazine is full of other fun projects, too, so I hope you’ll take a look and give this knotty project a try!